SLIPPY TOWN
This Week's Update
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CRAWLSPACE
Crawlspace Biography
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THE GIZMOS
Bio, Photos, & Press
1970s Reviews
Gizmos Fave Raves '76
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DANBALL BAT / SASORI
(split)
Sasori Vs Danball
Bat--Sasori Cocktail (Captain Trip
Records; Japan) $14
1997 split CD by two contemporary Japanese
rock bands. Sasori is a female-led
psych-heavy-garage group. Danball Bat
do an odd sort of glam-prog-pop thing. |
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THE DANCING
CIGARETTES
1980-1981: The Gulcher Recordings
(Gulcher Records) $11
In 1980-1981, punk became hardcore, middle-aged
women started spiking their hair, new wave
turned into commercial crap, and everything
was about to implode into the narrowly focused genres
that dominate outsider music to this day. But
in Bloomington, Indiana, things were moving a bit
slower. MX-80 Sound had split for San Francisco a
couple years earlier, and the original Gizmos were
never more than a rumor to the post-'77 Bloomington
crowd. When the Dancing Cigarettes appeared on the
fringes of the Bloomington scene in 1980, they were doing
music that still vibrated deeply with the naive/intellectual
spirit that had informed much of underground rock since
the mid-70s. The Cigarettes fused their high-school
geek visions of dada and beat literature with punk energy,
the Ralph Records catalog, an obvious love for pre-punk icons
like Eno and Beefheart, and the fumes of earlier art-damaged
Midwestern bands like MX-80, Pere Ubu, and Tin Huey. Their
songs were tight, angular, ironic, and filled with obtuse lyrics.
In 1981, the Dancing Cigarettes hooked up with Gulcher Records
(who else!) to produce a quite wunnerful 4-song, self-titled EP:
"Puppies In A Sack," "Mr. Morse," "Pop Doormat," and "Best Friend."
Post-punk, Midwest-style (which means it's mostly pre-punk!). They
also contributed to Gulcher's Red Snerts compilation LP the same
year. This CD collects their '81 EP, two outtakes from the EP sessions,
"Broken Windows" from RED SNERTS, and 15 unreleased tracks recorded
live at the Bluebird in Bloomington. The Bluebird material shows
the live Dancing Cigarettes were just as fiery and capable of sonic
trickery as in a studio setting, and adds a bit of noise to the
mix. The band continued into 1983, and recorded a fair amount of excellent
unreleased material, which was compiled in 1995 on their
School of Secret Music CD. |
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DAVIDTIO
Kin-Kaku (Captain Trip Records;
Japan) $12
2002 CD by Velvet Underground-influenced pop-rock
band from Japan. |
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THE
DEVIANTS
Dr. Crow (Captain Trip Records;
Japan) $14
2004 CD by Mick Farren, Andy Colquhoun, and
company. Includes "Strawberry
Fields Forever," "Bela Lugosi 2002," "The
Man Who Shot Liberty Valance," and nine
more tracks. |
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DEVOLVER
The Pilot's Inside His Mind
(Transsiberian Music Co./Scratch
Recordings; Canada) $11
Very down, sometimes claustrophobic folkpop
songstuff from four-piece Canadian
band. They spice up the structured format
with dirty loops, low-hum noise, and untampered
glitches. |
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DMZ
Live at the Rat (Bomp) $10
Seven totally killer tracks from 1976 + twelve tracks
from a pretty cool 1993 reunion show.
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DUNKELZIFFER
In the Night
(Fünfundvierzig; Germany)
$14
Originally released
in 1984, this was the second album by German
"mystic group" Dunkelziffer, and their
first with former Can vocalist Damo Suzuki. |
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DUNKELZIFFER
Live (Captain Trip Records; Japan) $14
Previously unreleased live recording from
1985 by German band with Can's Damo Suzuki
on vocals. |
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DUNKELZIFFER
Colours and Soul (Funfundvierzig; Germany)
$14
Early recordings, from 1982 and 1983, including
Dunkelziffer's first EP and assorted
outtakes. This German new-wave ethno-trance
band would be joined by Can vocalist Damo
Suzuki in '84, but this was before his arrival. The
group does include later Can member Reebop Kwaku
Baah, and
a guest appearance by Can drummer Jaki Liebezeit. |
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DUO KANEL
Livsopplevende Dikt (Humbug;
Norway) CDR $11
Duo Kanel is Sindre Andersen and Ansten Klev,
who produce a giddy noise-pop-glitch-rock-improv
sound. The sudden transitions from damaged
radio excerpts to disjointed "songs" to live interplay
to plain silliness produces a collage
effect that seems like an early-70s concept album
strained through thirty years of used cassette
tapes and ear wax. But not really. I like. Comes
in a handmade package with painted cover and various
inserts, including hand-scrawled art, sticker,
bits cut from magazines, etc. |
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